Heippa!
Graduni loppulause englanniksi, idea sama kuin kandin kanssa aiemmin.
Conclusions
In this master´s thesis I have carefully searched
through Augustine´s work De divinatione daemonum
(The Divination of Demons) and looked by the methods of historical research of
images how Augustine sees the demons and their ability to foretell things. I
have found interesting angles to the text which as itself hasn´t been the
center of attention in much research.
Firstly, Augustine creates an image of enemies. Many
things in his work point to this. It is good to remember that Christian texts
typically have their own ideological agenda. If the writer thought that the
text will be used in educational purposes, this agenda is even more compelling.
This is also true with De divinatione
daemonum, although it might seem quite subtle for the modern reader.
Augustine starts to create the image of enemies already on the early stages of
the text when he says that the demons are the gods of pagans. Otherness comes
present here, the idea that pagans are “others” when put opposite to
Christians.
The image Augustine gives of the demons´ essence is
very traditional in both Christian and non-Christian way of thinking. This
comes to be because Augustine had fine rhetorical education before turning to
Christianity. Demons were beings of air and they could be connected to fallen
angels. How Augustine saw this connection differentiated a bit from the earlier
apologetics. This was mostly because the Scripture was already well-established
in Augustine´s days and he didn´t use those non-scriptural books which the
former apologetics had used. In De
divinatione daemonum only a few words indicate the connection between
demons and fallen angels and theological background hasn´t been written out.
It is notable that Augustine leaves all the abilities
of demons empty, because he doesn´t give direct examples of them. Instead he
gives comparative examples from the human world. In this way he creates an
image of demons´ abilities as almost ordinary features which you should neither
worship nor fear. It is natural that Augustine gives most of his attention to
the ability to divine since it is the main subject of the tractate. This,
however, doesn´t diminish the value of the presentation of other abilities – or
the lack of it – when we consider the image of demons.
Augustine says that demons are liars and cheaters. He
accuses them of deep moral decadence which in itself creates negative image.
For example he passes on the idea that demons are eavesdroppers. On the other
hand Augustine states that demons can also tell truths but not because of their
own virtue. In general he seems to think that demons foretell a bit of this and
that as opposed to Christian God. Augustine gives demon worshippers same
features that demons have. He says that these worshippers are stupid or at
least their intentions are addressed wrongly. This identifying also clarifies
the line between “us” and “them” and helps to give birth to image of enemies.
It was predictable that Augustine would represent
demons as evil and make up the image of enemies. Former research has concluded
this from his other work as well as from other Christian writers and quite
often Augustine brings it openly up himself. In this context De divinatione daemonum is interesting
because Augustine is very subtle for some reason. However this discretion is to
shake off toward the end when Augustine moves from the starts educating mood to
almost authoritative sermon.
The second
finding is how Augustine mediated his message. He was an excellent writer and
he used rhetorical equipment extremely well. He tends to use opposite pairings.
This rhetorical apparatus is closely connected to first finding and it really
enunciates the elements needed when creating an enemy image like the difference
between you and your enemy. Augustine uses exempla
although the anecdotes which are typical for the ancient literature are missing
since the exempla are about ordinary
daily life and not about persons. Besides the exempla describe things as phenomena which is probably because
Augustine gets his inspiration from the allegories in Christian writings. To
this inspiration can also be associated the fact that he uses a story-like
structure both in the opening dialogue and in the actual tractate.
The third thing is to whom the text is intended. It´s
good to acknowledge that it was addressed to Christians especially to those
fair brothers in the opening dialogue. Also the things Augustine presumes the
reader to know for example about biblical stories seems to support the afore
mentioned. In this the tractate is very different from the better-known De Civitate Dei (The City of God), which
is clearly aimed for pagans and scholars. In De divination daemonum Augustine has put much effort to the text so
that even those who were uneducated could understand it. However this doesn´t
fully prove that it was meant for the uneducated. Writing lacks the references
to myth and literature of the antiquity which is in line with what I have
mentioned above. It must be remembered, though, that Augustine addresses some
words straight to pagans in the end.
The second and third finding are very closely
connected. Augustines rhetorical ambition seems to be giving something to all
audiences, from highest to lowest people. Former research has come to a conclusion
that Augustine was aware of his audience and wrote to their level and I agree
with this. Good example of this are the carefully thought word choices. For
instance Augustine uses word prudentibus,
which doesn´t only mean wisdom through education but also common sense, about
his readers.
The fourth theme is demythologization. Mathewes and
Wiebe use this term differently in their respective studies. For the part of
this study it could be said that if demythologization means that the true
identity of the false pagan gods is revealed, demythologization exists in De divinatione daemonum. On the hand if
it means that all the magical and supernatural assets are taken off from the
demons, it doesn´t go along with the tractate.
In the end it can be concludes that in De divinatone daemonum Augustine creates
an enemy image which states that demos are physically harmless but when it
comes to their mental capacities, they are dangerous. Demons could divine but
their divinations were in large part false.
-Roona-
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